Patty Carroll’s homebound snapshots are the epitome of domestic pressure: A high-heeled working woman tries to cook and chat on the phone but ends up amid scattered kitchen supplies with her head stuck in the oven. Mops and rags knock another figure down into a sea of neon sponges and cleaning sprays. Two seated women are obscured by constricting drapes and an inordinate amount of fresh produce. The photographer’s four-part Anonymous Women series is comprised of highly stylized scenes featuring a faceless mannequin attempting—and failing to complete—a range of duties. More Read more