Through serene, idyllic landscapes, Tomás Sánchez visualizes his long-harbored fascination with meditation. The practice, the Cuban painter says, is “where I find many of the answers to questions that transcend from the personal to the universal. Meditation is not always a fleeting time. Meditation is not a punctual exercise; it is a constant practice.” Rather than conceptualize the exercise as a temporary state, Sánchez views mediation as a lens to interpret the world, a recurring theme that has foregrounded much of his work during the last few decades. More Read more